PLACES FOR PLAY

October 8–December 31, 2025

INTERNATIONAL EXHIBITION – Krenovka courtyard, Husitská 22, Prague 3

opening on October 7 at 6 p.m.

ADVENTURE PLAYGROUND WORKSHOP – Krenovka courtyard, Husitská 22, Prague 3
October 16–17, 2025

INTERNATIONAL CONFERENCE – Unijazz Reading Room, Krenovka, Husitská 22, Prague 3
October 17, 2025, 10:00 a.m.–6:00 p.m.
Free admission, no registration required

In the last third of the last century, children’s playgrounds began to appear in our country with entertaining and often original features, created with the help of artists and landscape architects (such as Zdeněk Němeček, Olbram Zoubek, and Eva Kmentová in Prague, Kurt Gebauer in Ostrava, Miroslav Jirava in Krnov, Vladimír Sitta, Tamara Divišková, and Zdeněk Macháček in Brno, and Roman Richtermoc and Oldřich Semrád in Hradec Králové). They used to be isolated, but often became icons, and many of them have recently been restored, albeit under the new status of works of art rather than play elements. The end of the 1990s saw a boom in standardized and not always creative, but above all materially and aesthetically uninteresting play elements. This mediocre production prompted a re-evaluation of the high-quality production of previous years and, especially among parents who were artists, architects, and landscape architects, a strong need to change the situation. Examples of successful implementations abroad, often signed by renowned authors and awarded at international architectural and urban planning exhibitions focusing on the revitalization of public spaces, also played a significant role in this. Czech parents, teachers, and local politicians are also becoming aware of the phenomenon of adventure playgrounds (a concept of unfinished playgrounds that children build themselves under the supervision of instructors), which originated in Denmark in the 1940s and has been common practice in Europe for the past 80 years. A number of scientific playgrounds, educational and sports facilities in nature, skateparks, and parkour areas are also being created.

Our selection of forty projects, which includes contemporary Czech and foreign examples as well as older and still popular implementations, sought to present as diverse a view of this topic as possible. That is why there are projects offering successful solutions for the revitalization of former mining areas, power plants, housing estates, abandoned parks, empty spaces in front of schools, areas under bridges, embankments, the use of parking garage roofs, climbing frames, and entire sports, educational, or fairy-tale complexes in nature, as well as urban and artistic transformations of parks, squares, and ordinary sports grounds. The playgrounds in our selection have become places where new community life has emerged, where a small sculpture museum has been created, and where children of different ages can get involved in sports, environmental, theatrical, or artistic activities. Encountering these projects and their creators has been a great inspiration for us, and we believe that their stories will also inspire visitors and that the exhibition will contribute, at least in a small way, to positive changes in play spaces.

PLAYGROUND

international conference

Unijazz Reading Room, Krenovka, Husitská 22, Prague 3, October 17, 2025, 10:00 a.m.–6:00 p.m.
free admission, no registration required

Tomáš Černý – Rehwaldt Landscape Architects
Jos de Krieger – Blade-Made, Superuse
Ladislav Fuxa – hřiště.cz
Matěj Hájek – SKULL studio
Klára Koldová & Eduard Herrmann – Nami nami studio
JIří Kotal – U / U studio
Jitka Ressová – ellement architects
Carolina Sidon – Adventure Playground
Richard Vodička – Pole designu
Dušan Záhoranský – AVU in Prague

EXHIBIT ARCHITECTURE

4. 10. 2025 – 22. 2. 2026


organizers / Gočárova galerie, Fakulta umění a architektury Technické univerzity v Liberci, ARCHITECTURA
coorganizers / GAMPA, Nadace Automatické mlýny
main curator / Dan Merta
SILO section curator / Filip Šenk

exhibiting authors /
Zbyněk Baladrán, Pavla Beranová & Martin Krupa, COLLARCH & Architekti Šebo Lichý, DOXA, Jakub Fišer, Martin Gsandtner & Ondřej Pokoj, Jan Janecký, Matěj Kratochvíl, Jiří Kovanda, Jürgen Mayer H., MCA – Pavla Melková & Miroslav Cikán, Jaromír Novotný, JinJan – Jindřich Ráftl & Jan Tůma, Rintala Eggertsson Architects – Dagur Eggertsson & students of FUA TUL & ARCHIP Praha, Jan Stolín, SUNAKI – Toshikatsu Kiuchi & Taichi Sunayama, Jan Šépka, Jiří Vítek, Jan Vranovský, FA VUT Brno studio Svatopluk Sládeček – Nicol Gale

& artists whose works are represented in the Gočár Gallery collection /
Jindřich Hegr, Stanislav Kolíbal, Vladimír Kopecký, František Kyncl, Kamil Lhoták, Jaroslav Paur, Vladimír Preclík

production / Klára Pučerová, Jakub Semerád
graphic design / Milan Nedvěd
exhibition design / Iva Dvořáková, Jakub Fišer
text editing / Klára Pučerová, Jana Palacká
translation / Vít Zelinka
promotion / Nikola Kopecká, Cecílie Kutálková
education / Andrea Koláčková, Karolína Novotná, Hana Paulusová, Alžběta Štenclová, Anna Vitvarová
acknowledgements / Petr Kratochvíl, Irena Mertová, Eduard Seibert, Helena Vágnerová, Petra Valašteková, Petra Vlachynská, Tomáš Vlček


supported by / Metrostav, Stora Enso, Zumtobel, VOIX Audio & Cinema, ARCHIP Praha, FA VUT v Brně

The exhibition is under the patronage of Mr. Roman Línek, Councillor of the Pardubice Region for Culture. The Gočár Gallery is established by the Pardubice Region.


Is it even possible to exhibit architecture? It is possible to use technical or literary texts, plans, sketches, photographs, physical and digital models, visualizations, films and documents, audio recordings, light installations, haptic samples of materials, social and economic analyses, graphs, statistics, virtual or augmented reality to sufficiently convey to the viewer the information and emotions associated with experiencing architecture? These questions are answered by curators and prominent figures in the fields of architecture, urbanism, and visual arts at the Automatic Mills complex, which is associated with both an iconic figure of Czech architecture and renowned contemporary artists. Architectural historian Eeva-Liisa Pelkonen has described the effort to exhibit architecture as Sisyphean: “The ambition to exhibit architecture always carries with it a paradox: how to exhibit something as large and complex as a building or a city, and how to communicate something as elusive as the architectural experience that takes place in space and time?”Architecture, often referred to as the Mother of the Arts, not only has a functional role but also an ethical and aesthetic one. How can these fundamental functions be presented to gallery visitors? It is not sufficient to describe only the technical structure; it is necessary to find ways to convey the essential experience of a given place or building. Only then can we present it in its entirety and in the context of its anchoring in place and social ties. Does it even make sense to exhibit architecture in an age characterized by an overload of information of very varying quality? What are the main forms of exhibiting architecture? Strategies and themes in the field of architectural exhibitions are changing worldwide based on social needs, trends, and fashions, which can be regularly observed in the curatorial concepts of the premier exhibition, the Venice Architecture Biennale, as well as other international institutions dedicated to the presentation of architecture.
From the 1990s until the economic crisis of 2008, the celebration of economic growth continued, and exhibitions were based primarily on iconic buildings or the presentation of so-called starchitects. However, all of the crises of the new millennium, which we now see coming cyclically or transforming into a single long-term geopolitical, social, and environmental crisis of global proportions with various territorial hotspots, fundamentally permeate the concept of exhibitions on the theme of architecture. One can see a strong parallel with the 1960s. At that time, many art institutions, philosophers, artists, and architects used the medium of architectural exhibitions to discuss environmental and social issues caused by uncontrolled economic growth and the modernist approach after World War II. Central to contemporary multimedia visual culture is the intermingling of the worlds of fine art, architecture, and scenography, a mix of genres and media, and a call for multisensory art and architecture in the form of conceptual installations that evoke a special atmosphere for the viewer’s perception. Personal encounters and discussions, workshops, exhibitions, organized walks, and festivals aimed at the general public and the popularization of architecture continue to play an irreplaceable role. We strove for such multi-layeredness in the preparation of this exhibition (and accompanying program).
The curatorial concept incorporates objects from the transformed Automatic Mills complex into the exhibition. The buildings are presented as exhibition artifacts with historical and contemporary reflections. The public space is complemented by architectural and artistic interventions that engage in dialogue with historical material and create new connections within visual communication.

Autumn excursion for art, architecture, and wine, vol. III. / Already fully booked!

Vienna, Lednice, Valtice, Hodonín, Mikulčice, Milotice, Starý Poddvorov, Vrbice, Mutěnice, Kobylí, etc.

November 14–17, 2025 (Friday–Monday)

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Accommodation: Relax Hotel Štork Lednice, double rooms with breakfast
Price: CZK 6,999 (includes transport, accommodation, and guide; does not include tastings or gallery admissions)
Transport: departure early in the morning from I. P. Pavlova station on November 14, arrival late in the evening on November 17 at the same place, detailed information will be sent 14 days before departure

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WORKSHOP WITH DAGUR EGGERTSON

September 10 to 14 , Automatic Mills, Pardubice

We warmly invite architecture and art students to a creative workshop led by Icelandic architect Dagur Eggertsson from the renowned studio Rintala Eggertsson Architects. Over the course of five days, we will design and build a sauna on the grounds of the Automatic Mills in Pardubice. The workshop will offer a unique opportunity to get involved in the entire process—from conceptual design to actual construction—and to try out teamwork and a creative approach to public space and sustainable architecture. The result will be a functional building that will be presented to the public at a vernissage on Sunday, September 14.

The workshop begins on Wednesday, September 10, at 12 noon with an introductory meeting and presentation of the assignment. We look forward to seeing everyone who is not afraid to pick up a pencil and a hammer.

The price of the workshop is CZK 2,000. Accommodation and everything necessary for work will be provided.
Start: Wednesday, September 10, at 12:00 p.m.
Opening: Sunday, September 14, at 2:00 p.m.

For more information and registration, please contact: Dan Merta / dan@architectura.cz

PLAYGROUND

17th June to 30th September 2025, Kadaň
exhibition, conference, site-specific

Curators/ Dan Merta, Klára Pučerová, Lukáš Ehl
Editor, production/ Klára Pučerová
Graphic design, typesetting/ Kateřina Špačková
Language editor/ Jana Palacká
Site-specific/ Matěj Hájek, SKULL studio
© Architectura z.s., 2025