The Žižkov Link

June 26 – October 11, 2026

OPEN-AIR EXHIBITION – Krenovka Courtyard, Husitská 22, Prague 3

Opening: June 26 at 6:00 p.m.

GUIDED WALKS THROUGHOUT THE FESTIVAL, INCLUDING A STOP AT KRENOVKA – July 9 and August 20; more details on the festival’s website and social media (including the accompanying program through October 11)

The Žižkov Link exhibition has two main objectives. The first is to present the development of the broader Lower Žižkov area and, above all, the emerging cultural cluster around the former Šibeniční vrch and the Krenovka estate in the context of the so-called “Prague Gordian Knot.” This term refers to a transportation brownfield bounded by the Main Railway Station, the U Bulhara intersection, Masaryk Station, and Florenc. The second objective is to provide long-term, strategic support for the development of public space led by the Prague 3 Municipal District, viewed through the lens of the historical backdrop of Žižkov and Královské Vinohrady. This is often a very complex and time-consuming process, because politicians, private investors, and citizens sometimes have differing views on how the shared spaces in our communities should be used and what their architectural and aesthetic value should be. A case in point is the recently opened Jiří z Poděbrad Square, where the process of design, permitting, securing political support, and implementation took more than 20 years. Another similar example is the revitalization of Vítkov Hill, where a competition for its transformation was held as early as 2000, and the first phase of revitalization was not completed until last year. Both locations are prominent sites and count among Prague’s gems. But the process was truly very protracted. We must hope that the transformation of the wider Florence area—which includes the Krenovka neighborhood—will not take another decade. Even though the transfer of this territory to the ownership of the Prague 3 district was, once again, complicated and took several years.

But the people of Žižkov are stubborn and don’t give up on their goals. And that’s one reason why this exhibition is able to showcase excellent examples of the preservation of Prague 3’s historic environment, in collaboration with leading Czech and international urban planners,
architects, and artists. Some projects are currently presented at the exhibition as visualizations, but many of them will be completed later this year. It can be said that Prague 3 serves as a showcase for the capital city of Prague in terms of the enhancement of public space and the integration of visual arts into the urban landscape. And that is also why Žižkov is called the Montmartre of Prague. It must be noted that many of these projects were funded from the city’s budget, and many are being developed in collaboration with the Prague Institute of Urban Planning (IPR). The role of enlightened private investors is also crucial; they recognize the need for financial support to enhance the quality of the urban landscape and very often initiate or carry out these projects themselves. One such example is the area between Prague’s main train station and Seifertova Street. We must trust that this green corridor will continue with the transformation of the Krenovka and Florence 21 areas, connecting to Karlín and Vítkov Hill. It will then extend to Ohrada and, across Želivského Street, to another crucial site in Žižkov: the Žižkov Freight Station. A separate exhibition dedicated to the transformation of the Žižkov Freight Station will open in early September.

The Krenovka site itself, with its rich history, is an example of grassroots activism. Of course, this has been supported by the leadership of the Žižkov City Hall. Discussions about the untapped potential of the former Šibeniční vrch and the remaining railway embankment began in 2018, when wooden stairs were built in the immediate vicinity of Ponec as part of the Landscape Festival, named the Žižkov Highline (Archwerk studio). Subsequently, Sudop Real purchased the building—which had once housed a ticket printing facility, among other uses—and transformed it into a new cultural and community center. Today, it is home to part of the operations of the Ponec Theater and Tance Praha, Unijazz with its iconic Čítárna, and other nonprofit and cultural platforms. Among them are the art hub Trať 42 and the Architectura association, which previously operated the Jaroslav Fragner Architecture Gallery and relocated here in 2023. As part of its efforts to participate in the transformation of the broader Florence area, Architectura organized the international workshop “The Prague Gordian Knot,” which presented student-led alternatives for Florence’s future development in connection with the wider center of Prague. This potential is also reflected in the activities at the Karlín Barracks, which now house UMPRUM (the Academy of Arts, Architecture and Design). This entire broader area can be considered a cultural and social campus with enormous intellectual potential. Proof of this is the new lease on life for the Military History Institute and the Army Museum in Žižkov, which began following their renovation in October 2022. We’ll see if the idea of the House of Dance, which is intended to build on the work of the Ponec Theater, will come to fruition. The Ponec Theater has been based in lower Žižkov since 2001.

There’s no need to list all the projects featured in the exhibition here. It is a rich and creative mosaic of contemporary architecture, design, and visual culture. The exhibition can be viewed both as a guide mapping these activities in the Prague 3 district and as a testament to the enlightened leadership of the Žižkov City Hall, which, through its commitment to its vision, demonstrates the potential for creating inspiring living environments in today’s highly complex geopolitical and economic situation—not merely as an aesthetic backdrop, but also as a space for social inclusion.

We must view public space as a space for all social groups, gender identities, and diverse worldviews.

Dan Merta, Žižkov 2026

PLACES FOR PLAY

October 8–May 31, 2026

INTERNATIONAL EXHIBITION – Krenovka courtyard, Husitská 22, Prague 3

opening on October 7 at 6 p.m.

ADVENTURE PLAYGROUND WORKSHOP – Krenovka courtyard, Husitská 22, Prague 3
October 16–17, 2025

INTERNATIONAL CONFERENCE – Unijazz Reading Room, Krenovka, Husitská 22, Prague 3
October 17, 2025, 10:00 a.m.–6:00 p.m.
Free admission, no registration required

In the last third of the last century, children’s playgrounds began to appear in our country with entertaining and often original features, created with the help of artists and landscape architects (such as Zdeněk Němeček, Olbram Zoubek, and Eva Kmentová in Prague, Kurt Gebauer in Ostrava, Miroslav Jirava in Krnov, Vladimír Sitta, Tamara Divišková, and Zdeněk Macháček in Brno, and Roman Richtermoc and Oldřich Semrád in Hradec Králové). They used to be isolated, but often became icons, and many of them have recently been restored, albeit under the new status of works of art rather than play elements. The end of the 1990s saw a boom in standardized and not always creative, but above all materially and aesthetically uninteresting play elements. This mediocre production prompted a re-evaluation of the high-quality production of previous years and, especially among parents who were artists, architects, and landscape architects, a strong need to change the situation. Examples of successful implementations abroad, often signed by renowned authors and awarded at international architectural and urban planning exhibitions focusing on the revitalization of public spaces, also played a significant role in this. Czech parents, teachers, and local politicians are also becoming aware of the phenomenon of adventure playgrounds (a concept of unfinished playgrounds that children build themselves under the supervision of instructors), which originated in Denmark in the 1940s and has been common practice in Europe for the past 80 years. A number of scientific playgrounds, educational and sports facilities in nature, skateparks, and parkour areas are also being created.

Our selection of forty projects, which includes contemporary Czech and foreign examples as well as older and still popular implementations, sought to present as diverse a view of this topic as possible. That is why there are projects offering successful solutions for the revitalization of former mining areas, power plants, housing estates, abandoned parks, empty spaces in front of schools, areas under bridges, embankments, the use of parking garage roofs, climbing frames, and entire sports, educational, or fairy-tale complexes in nature, as well as urban and artistic transformations of parks, squares, and ordinary sports grounds. The playgrounds in our selection have become places where new community life has emerged, where a small sculpture museum has been created, and where children of different ages can get involved in sports, environmental, theatrical, or artistic activities. Encountering these projects and their creators has been a great inspiration for us, and we believe that their stories will also inspire visitors and that the exhibition will contribute, at least in a small way, to positive changes in play spaces.

EXHIBIT ARCHITECTURE

4. 10. 2025 – 22. 2. 2026


organizers / Gočárova galerie, Fakulta umění a architektury Technické univerzity v Liberci, ARCHITECTURA
coorganizers / GAMPA, Nadace Automatické mlýny
main curator / Dan Merta
SILO section curator / Filip Šenk

exhibiting authors /
Zbyněk Baladrán, Pavla Beranová & Martin Krupa, COLLARCH & Architekti Šebo Lichý, DOXA, Jakub Fišer, Martin Gsandtner & Ondřej Pokoj, Jan Janecký, Matěj Kratochvíl, Jiří Kovanda, Jürgen Mayer H., MCA – Pavla Melková & Miroslav Cikán, Jaromír Novotný, JinJan – Jindřich Ráftl & Jan Tůma, Rintala Eggertsson Architects – Dagur Eggertsson & students of FUA TUL & ARCHIP Praha, Jan Stolín, SUNAKI – Toshikatsu Kiuchi & Taichi Sunayama, Jan Šépka, Jiří Vítek, Jan Vranovský, FA VUT Brno studio Svatopluk Sládeček – Nicol Gale

& artists whose works are represented in the Gočár Gallery collection /
Jindřich Hegr, Stanislav Kolíbal, Vladimír Kopecký, František Kyncl, Kamil Lhoták, Jaroslav Paur, Vladimír Preclík

production / Klára Pučerová, Jakub Semerád
graphic design / Milan Nedvěd
exhibition design / Iva Dvořáková, Jakub Fišer
text editing / Klára Pučerová, Jana Palacká
translation / Vít Zelinka
promotion / Nikola Kopecká, Cecílie Kutálková
education / Andrea Koláčková, Karolína Novotná, Hana Paulusová, Alžběta Štenclová, Anna Vitvarová
acknowledgements / Petr Kratochvíl, Irena Mertová, Eduard Seibert, Helena Vágnerová, Petra Valašteková, Petra Vlachynská, Tomáš Vlček


supported by / Metrostav, Stora Enso, Zumtobel, VOIX Audio & Cinema, ARCHIP Praha, FA VUT v Brně

The exhibition is under the patronage of Mr. Roman Línek, Councillor of the Pardubice Region for Culture. The Gočár Gallery is established by the Pardubice Region.

International conference Exhibit Architecture / Between Image and Narrative


Is it even possible to exhibit architecture? It is possible to use technical or literary texts, plans, sketches, photographs, physical and digital models, visualizations, films and documents, audio recordings, light installations, haptic samples of materials, social and economic analyses, graphs, statistics, virtual or augmented reality to sufficiently convey to the viewer the information and emotions associated with experiencing architecture? These questions are answered by curators and prominent figures in the fields of architecture, urbanism, and visual arts at the Automatic Mills complex, which is associated with both an iconic figure of Czech architecture and renowned contemporary artists. Architectural historian Eeva-Liisa Pelkonen has described the effort to exhibit architecture as Sisyphean: “The ambition to exhibit architecture always carries with it a paradox: how to exhibit something as large and complex as a building or a city, and how to communicate something as elusive as the architectural experience that takes place in space and time?”Architecture, often referred to as the Mother of the Arts, not only has a functional role but also an ethical and aesthetic one. How can these fundamental functions be presented to gallery visitors? It is not sufficient to describe only the technical structure; it is necessary to find ways to convey the essential experience of a given place or building. Only then can we present it in its entirety and in the context of its anchoring in place and social ties. Does it even make sense to exhibit architecture in an age characterized by an overload of information of very varying quality? What are the main forms of exhibiting architecture? Strategies and themes in the field of architectural exhibitions are changing worldwide based on social needs, trends, and fashions, which can be regularly observed in the curatorial concepts of the premier exhibition, the Venice Architecture Biennale, as well as other international institutions dedicated to the presentation of architecture.
From the 1990s until the economic crisis of 2008, the celebration of economic growth continued, and exhibitions were based primarily on iconic buildings or the presentation of so-called starchitects. However, all of the crises of the new millennium, which we now see coming cyclically or transforming into a single long-term geopolitical, social, and environmental crisis of global proportions with various territorial hotspots, fundamentally permeate the concept of exhibitions on the theme of architecture. One can see a strong parallel with the 1960s. At that time, many art institutions, philosophers, artists, and architects used the medium of architectural exhibitions to discuss environmental and social issues caused by uncontrolled economic growth and the modernist approach after World War II. Central to contemporary multimedia visual culture is the intermingling of the worlds of fine art, architecture, and scenography, a mix of genres and media, and a call for multisensory art and architecture in the form of conceptual installations that evoke a special atmosphere for the viewer’s perception. Personal encounters and discussions, workshops, exhibitions, organized walks, and festivals aimed at the general public and the popularization of architecture continue to play an irreplaceable role. We strove for such multi-layeredness in the preparation of this exhibition (and accompanying program).
The curatorial concept incorporates objects from the transformed Automatic Mills complex into the exhibition. The buildings are presented as exhibition artifacts with historical and contemporary reflections. The public space is complemented by architectural and artistic interventions that engage in dialogue with historical material and create new connections within visual communication.

WORKSHOP WITH DAGUR EGGERTSON

September 10 to 14 , Automatic Mills, Pardubice

We warmly invite architecture and art students to a creative workshop led by Icelandic architect Dagur Eggertsson from the renowned studio Rintala Eggertsson Architects. Over the course of five days, we will design and build a sauna on the grounds of the Automatic Mills in Pardubice. The workshop will offer a unique opportunity to get involved in the entire process—from conceptual design to actual construction—and to try out teamwork and a creative approach to public space and sustainable architecture. The result will be a functional building that will be presented to the public at a vernissage on Sunday, September 14.

The workshop begins on Wednesday, September 10, at 12 noon with an introductory meeting and presentation of the assignment. We look forward to seeing everyone who is not afraid to pick up a pencil and a hammer.

The price of the workshop is CZK 2,000. Accommodation and everything necessary for work will be provided.
Start: Wednesday, September 10, at 12:00 p.m.
Opening: Sunday, September 14, at 2:00 p.m.

For more information and registration, please contact: Dan Merta / dan@architectura.cz

PLAYGROUND

17th June to 30th September 2025, Kadaň
exhibition, conference, site-specific

Curators/ Dan Merta, Klára Pučerová, Lukáš Ehl
Editor, production/ Klára Pučerová
Graphic design, typesetting/ Kateřina Špačková
Language editor/ Jana Palacká
Site-specific/ Matěj Hájek, SKULL studio
© Architectura z.s., 2025


Industrial Topography/Culture Clusters/Czech Republic-Europe

conversion of industrial areas into cultural and social clusters

Reprise of the exhibition

1.–30. November

Brillovka corridors, Bezručova 211, Rožnov pod Radhoštěm

The opening of the exhibition and a debate will take place on Friday, 1 November at 6 pm in the Brillovka Hall.

Opening speech: curator of the exhibition Dan Merta

After the opening of the exhibition there will be a debate with the speakers:

Dan Merta – author of the exhibition, founder of ARCHITECTURA.cz

Richard Vodička – curator and theoretician of art, design and architecture loosely connected with the educational and exhibition platform Pole designu / EGOÉ

Karel Janča – architect, author of the conversion of the Brillovka building

curator/ Dan Merta

An exhibition dedicated to more than 40 examples of successful conversions of industrial architecture into cultural centres.

Prague Holešovická tržnice, Kunsthalle Praha, La Fabrika, Forum Karlín, Centrum současného umění DOX, Pragovka Art District ČR Lower Vítkovice, 14|15 Bata Institute, Automatické mlýny Pardubice, DEPO2015, Coal Mill and Boiler House in Libčice nad Vltavou, EPo1, Brillovka, Wannieck Gallery, Field of Design Bílovice, The Distillery, PLATO Ostrava, Moving Station Plzeň, Procházka Factory in Humpolec, Jabloneček Campus, Centre for Building Heritage Plasy Norway Kistefos Museum, Papirbredden Campus in Drammen, Rockheim Museum, Area along the Aker River in Oslo, Kaviar Gallery, Kunstsilo Kristiansand, Bomuldsfabriken Kunsthall Arendaal Island Reykjavik Art Museum Hafnarhús, Marshall House Europe Pfefferberg Campus Berlin, Matadero Madrid, Tour and Taxis (Gare Maritime) Brussels, Tate Mode

Description of a struggle/New media image of Franz Kafka

18th Septembre to 20th Octobre 2024

Point Gallery, Franz Kafka squre, Prague 1

Opening: 17th of Septembre 2024, 7pm

curator/Dan Merta

authors/
Eugen Brikcius
Veronika Bromová
Jiří David
Milena Dopitová
Martin Falář
Michaela Filingerová
Roman Franta
Karel Hladík
Aleš Hnízdil
Jasanský Polák
Ivan Kafka
Vladimír Kokolia
Jiří Kovanda
Adéla Marešová
Barbora Nahálková
Karel Nepraš
Jaroslav Prokeš
Rafani
Beata Rážová
Jan Šerých
Ondřej Karel Šimánek
Prague Idiots
Marek Vašut
Petra Vlachynská
Jiří Votruba
Filip Zeman

project support/
Ministry of Culture of the Czech Republic, State Culture Fund, City of Prague, Prague 1 Municipal District

media partners/ Přítomnost, Radio1, Artmap, Kafka 2024